BBC World News: Be a Newscaster (but be better than cabbage)

The BBC’s World News service is offering anyone with a camera to paint a portrait of their world, and submit their one minute effort as part of the My World, My Minute contest.

Quoted from the Beeb:

"My World" is a unique public interactive film event assisted by some of the world's leading film-makers. With trails online, via our language sections, rebroadcasters and on BBC World News, we invite audiences to submit a one-minute film, shot on their mobile phone or friend's camcorder, with the theme "My World".

At the close of submissions we present a shortlist of films to a panel of celebrated world film-makers - the curators. They will choose the best of these from each of the world’s continents and compile sequences of ten films – so as to create a portrait of life on each continent in ten minutes.

Finally we will unveil a picture of the world today in 50 minutes – composed of five ten-minute sequences. Each sequence of ten films will be a fascinating portrait created from fascinating stories, painful truths, inspiring footage and will create meaning and beauty from unexpected juxtapositions and brilliant images.

BBC World News will play each of the ten minutes plus a variety of one minute entries.

Feb. 1/10 Update: Nico Wasserman from the BBC World News has sent the following clarification:

Hi Mark

Nico from BBC MyWorld here. Thanks for posting about the competition, apologies for the lack of info on the site you found. The site with all competition details of how to enter can be found at:

www.bbc.com/superpower then click on 'MyWorld'.

We will start posting some of the films already sent in over the next few days. The closing date is 5 March 2010

Best wishes

Nico

The Beeb has a decades-long tradition of news gathering, and there are rudimentary presentation and format rules you can follow to make it easier for the masses, particularly stupid people, to comprehend your message about your world (which is important if you suspect a significant segment of your audience has the mental power of uncooked cabbage. Witness, at the very least, American network news and its current function as a shell for constipation and high-frequency peeing adverts).

To that end, Charlie Brooker, the genius behind the Big Brother zombie mash Dead Set (2008), has created a simple 2-minute instructional video (linked, with further details, at Boing Boing) on how to report/create news. As a colleague remarked, if you watch the piece without sound, it all looks utterly straight, which perhaps shows how dumb we’ve become when it comes to The News: if it's not in that predictable format with bullet-factoids, we have to think harder and reflect, which might make it too challenging for those quite sober, pickle-drunk, or high on smoked cabbage leaves).

- MRH

Try Harder

Surrogates made its home video debut earlier this week, and although Touchstone’s DVD includes a commentary track with director Jonathan Mostow, the disc still falls short of the materials needed to support an expensive production with a striking futuristic vision.

Part of the problem is DVD gradually being downgraded by the major studios as a secondary format not worthy of extras, and the fact Surrogates wasn’t a stellar box office nor critical performer. Why make a flop seem better than it is? Or why make the effort to create a proper release when the real goal is just to get the title out there for the rental market?

Compare Surrogates (2009) with I, Robot (2003), and there’s a marked difference in how each studio and director chose to support their respective film. There are, in fact, some similarities between the two productions, although it might be a case of one recent detective tale set in a dystopian future produced under the shadow of another.

The plot points within I, Robot are anchored around a prophetic myth that unfolds in stages during the course of a murder investigation where a cop allies himself with a female corporate egghead in order to uncover a conspiracy that threatens to doom humanity.

Surrogates is grounded in an urban realism and has a cop and his female partner investigating a murder, and uncovering an ex-corporate element seeking to return the now-shuttered human population to its now-mythic past of an active culture with meaningful, physical interaction after years of living through robotic avatars.

Those are two very distinct storylines with the potential for wholly different commentaries on how technology has made us bad. Surrogates makes robotic gear the key de-evolutionary element that enables humanity to slowly regress from its inherent social nature to an anxiety-prone sad sack, but Touchstone’s marketing seems to have been designed with an eye on tapping into our familiarity with I, Robot, as well as the publicity iconography that’s still visible on store and rental shelves.

Case in point below: Why create a new campaign when we can build on an existing one?

Note the similarities with the poster art? They're BOTH looking in the same direction.

This is usually what the producers of B-movies or direct-to-video fodder do: try to create a false sense of familiarity, and tap into our retention of images. When you think of McDonalds, you also see the logo in your mind. When you think of futuristic movies about sleek robots with a rebellious cop running around an urban setting, most likely I, Robot comes to mind. Ergo, let’s just riff on something people already know.

The unwanted tie-in to I, Robot was the first flaw in shaping Surrogates for the masses. The second was pruning the story and ultimately the film’s running time to a surprisingly abbreviated 85 mins. (without end credits). This is a Bruce Willis film with expensive special effects, from the director of Terminator 3, and the writers of Terminators 3 and 4.

Ah, right. T4. That other film with a mucked up structure and horrid dialogue. Ah, of course. T3, with terrible plotting and workmanlike dialogue. Only the composers managed to walk away from these productions unscathed.

Alongside a film review of Surrogates, I’ve uploaded a CD review, and you can also check out a fall of 2009 interview with composer Richard Marvin about crafting his solid score for the film.

Surrogates isn’t bad, but it is a tragic case of missed opportunities, as well as watching Bruce Willis clearly acting in a film that now exists on the cutting room floor. Maybe the 10th anniversary Blu-ray will contain a longer Director’s Cut?

I’ll have a few more soundtrack reviews up this weekend, and next week, and with Region 1 land finally getting Season 3 of Doc Martin on DVD, I’ll have reviews of all three seasons, to be followed by some recent BBC productions hosted by star Martin Clunes, where he’s nowhere as rude as the socially dented Doc.

- MRH

Damn Fine Music

I couldn’t perfectly time the review of the Legion soundtrack album (La-La Land Records) with the last batch of reviews – Legion, like Pandorum, also stars Dennis Quaid – so here it is, with some angles on John Frizzell’s use of a BIG orchestral sound.

The reason I find Frizzell – as well as Frederik Wiedmann – so damn fascinating is the way he keeps pushing the envelope on the way sounds can be digitally re-shaped within the realm of an orchestra. It’s still less is more, but one suspects a lot more is going on; it’s just the way sounds are used with precision and refinement so as not to take away from a score’s scope or style (which in the case of Legion, is a theological thriller).

Haven’t seen the film, just the trailer (which debuted months ago in theatres), but I would like to see if director/co-writer Scott Stewart explains why the film’s angry people have stretchee-bendee maws.

Paul Bettany looks like a pinhead from Hell in this shot, doesn’t he? Don’t you dare complain about his Fudgesicles.

Also, due to the Pandorum-centric blog, there wasn’t room to properly address the latest interview at KQEK.com, which is with composer Winifred Phillips, a fine composer best-known for scoring high-profile videogames like The Da Vinci Code, Speed Racer, Shrek the Third, and Charlie and the Chocolate Factory.

Her latest score releases include SporeHero and SimAnimals, and in our Q&A she discusses her work in the videogame genre, which clearly embraces innovation and complex writing.

Coming shortly: a review of the flawed/frustrating thing that is Surrogates, as well as Richard Marvin’s excellent score.

- MRH

2009 BAFTA Award Nominations

Yes, I’m late on this tally, but it’s been a busy week. On January 21st, nominees for Britain’s equivalent of the Oscar Awards – the BAFTAs – were announced, and as per the custom, I’ve hyperlinked titles I’ve reviewed, as well as those available on DVD or soon to be available on DVD, including those in Region 2 land, where noted.

Soundtracks have also been linked to that invaluable resource for fans and the curious, Soundtrackcollector.com, as well as Amazon.com when necessary.

Among the nominated composers is Chaz Jankel, who had a seemingly fleeting career with film with Making Mr. Right, D.O.A. (with its exquisite death lament), and the North American release of K2 in 1991. (Hans Zimmer’s original score was retained for the European edit.) K2 was Jankel’s last credit, making Sex & Drugs & Rock & Roll his first film score in 18 years. Welcome back!

The full list of nominees is also available at the BAFTA’s website, along with other multimedia materials. The awards ceremony at The Royal Opera House will be broadcast by the BBC on Sunday February 21st, 2010.

In case James Cameron wins an award and starts to blather in Avatarese, may I suggest the use of ripe tomatoes. I understand the pinched form of the Costoluto Genovese variety ensures both accuracy and a spectacular bounce when the curved edge bumps into a big egotistical head.

- MRH

2009 BAFTA AWARD NOMINATIONS

BEST FILM

AVATAR James Cameron, Jon Landau

AN EDUCATION Finola Dwyer, Amanda Posey --- to be released as a Region 2 DVD March 8, 2010

THE HURT LOCKER Nominees TBC

PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE Lee Daniels, Sarah Siegel-Magness, Gary Magness --- to be released on DVD March 9, 2010

UP IN THE AIR Ivan Reitman, Jason Reitman, Daniel Dubiecki

OUTSTANDING BRITISH FILM

AN EDUCATION Finola Dwyer, Amanda Posey, Lone Scherfig, Nick Hornby --- to be released as a Region 2 DVD March 8, 2010

FISH TANK Kees Kasander, Nick Laws, Andrea Arnold --- to be released as a Region 2 DVD January 25, 2010

IN THE LOOP Kevin Loader, Adam Tandy, Armando Iannucci, Jesse Armstrong, Simon Blackwell, Tony Roche

MOON Stuart Fenegan, Trudie Styler, Duncan Jones, Nathan Parker

NOWHERE BOY Robert Bernstein, Douglas Rae, Kevin Loader, Sam Taylor-Wood, Matt Greenhalgh

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

LUCY BAILEY, ANDREW THOMPSON, ELIZABETH MORGAN HEMLOCK, DAVID PEARSON Directors, Producers –

Mugabe and the White African

ERAN CREEVY Writer/Director – Shifty --- Region 2 release only

STUART HAZELDINE Writer/Director – Exam

DUNCAN JONES Director – Moon

SAM TAYLOR-WOOD Director – Nowhere Boy

DIRECTOR

AVATAR James Cameron

DISTRICT 9 Neill Blomkamp

AN EDUCATION Lone Scherfig --- to be released as a Region 2 DVD March 8, 2010

THE HURT LOCKER Kathryn Bigelow

INGLOURIOUS BASTERDS Quentin Tarantino

ORIGINAL SCREENPLAY

THE HANGOVER Jon Lucas, Scott Moore

THE HURT LOCKER Mark Boal

INGLOURIOUS BASTERDS Quentin Tarantino

A SERIOUS MAN Joel Coen, Ethan Coen --- to be released February 9, 2010

UP Bob Peterson, Pete Docter

ADAPTED SCREENPLAY

DISTRICT 9 Neill Blomkamp, Terri Tatchell

AN EDUCATION Nick Hornby --- to be released as a Region 2 DVD March 8, 2010

IN THE LOOP Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche

PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE Geoffrey Fletcher --- to be released on DVD March 9, 2010

UP IN THE AIR Jason Reitman, Sheldon Turner

FILM NOT IN THE ENGLISH LANGUAGE

BROKEN EMBRACES Agustín Almodóvar, Pedro Almodóvar --- to be released as a Region 2 DVD February 1, 2010

COCO BEFORE CHANEL Carole Scotta, Caroline Benjo, Philippe Carcassonne, Anne Fontaine --- to be released February 16, 2010

LET THE RIGHT ONE IN Carl Molinder, John Nordling, Tomas Alfredson

A PROPHET Pascal Caucheteux, Marco Cherqui, Alix Raynaud, Jacques Audiard

THE WHITE RIBBON Stefan Arndt, Veit Heiduschka, Margaret Menegoz, Michael Haneke --- to be released as a Region 2 DVD March 8, 2010

ANIMATED FILM

CORALINE Henry Selick

FANTASTIC MR FOX Wes Anderson --- to be released March 23, 2010

UP Pete Docter

LEADING ACTOR

JEFF BRIDGES Crazy Heart

GEORGE CLOONEY Up in the Air

COLIN FIRTH A Single Man

JEREMY RENNER The Hurt Locker

ANDY SERKIS Sex & Drugs & Rock & Roll

LEADING ACTRESS

CAREY MULLIGAN An Education --- to be released as a Region 2 DVD March 8, 2010

SAOIRSE RONAN The Lovely Bones

GABOUREY SIDIBE Precious: Based on the Novel Push by Sapphire --- to be released on DVD March 9, 2010

MERYL STREEP Julie & Julia

AUDREY TAUTOU Coco Before Chanel --- to be released February 16, 2010

SUPPORTING ACTOR

ALEC BALDWIN It’s Complicated

CHRISTIAN McKAY Me and Orson Welles

ALFRED MOLINA An Education --- to be released as a Region 2 DVD March 8, 2010

STANLEY TUCCI The Lovely Bones

CHRISTOPH WALTZ Inglourious Basterds

SUPPORTING ACTRESS

ANNE-MARIE DUFF Nowhere Boy

VERA FARMIGA Up in the Air

ANNA KENDRICK Up in the Air

MO’NIQUE Precious: Based on the Novel Push by Sapphire --- to be released on DVD March 9, 2010

KRISTIN SCOTT THOMAS Nowhere Boy

MUSIC

AVATAR James Horner

CRAZY HEART T-Bone Burnett, Stephen Bruton

FANTASTIC MR FOX Alexandre Desplat

SEX & DRUGS & ROCK & ROLL Chaz Jankel

UP Michael Giacchino

CINEMATOGRAPHY

AVATAR Mauro Fiore

DISTRICT 9 Trent Opaloch

THE HURT LOCKER Barry Ackroyd

INGLOURIOUS BASTERDS Robert Richardson

THE ROAD Javier Aguirresarobe

EDITING

AVATAR Stephen Rivkin, John Refoua, James Cameron

DISTRICT 9 Julian Clarke

THE HURT LOCKER Bob Murawski, Chris Innis

INGLOURIOUS BASTERDS Sally Menke

UP IN THE AIR Dana E. Glauberman

PRODUCTION DESIGN

AVATAR Rick Carter, Robert Stromberg, Kim Sinclair

DISTRICT 9 Philip Ivey, Guy Potgieter

HARRY POTTER AND THE HALF-BLOOD PRINCE Stuart Craig, Stephenie McMillan

THE IMAGINARIUM OF DOCTOR PARNASSUS Nominees TBC

INGLOURIOUS BASTERDS David Wasco, Sandy Reynolds Wasco

COSTUME DESIGN

BRIGHT STAR Janet Patterson

COCO BEFORE CHANEL Catherine Leterrier --- to be released February 16, 2010

AN EDUCATION Odile Dicks-Mireaux --- to be released as a Region 2 DVD March 8, 2010

A SINGLE MAN Arianne Phillips

THE YOUNG VICTORIA Sandy Powell

SOUND

AVATAR Christopher Boyes, Gary Summers, Andy Nelson, Tony Johnson, Addison Teague

DISTRICT 9 Brent Burge, Chris Ward, Dave Whitehead, Michael Hedges, Ken Saville

THE HURT LOCKER Ray Beckett, Paul N. J. Ottosson

STAR TREK Peter J. Devlin, Andy Nelson, Anna Behlmer, Mark Stoeckinger, Ben Burtt

UP Tom Myers, Michael Silvers, Michael Semanick

SPECIAL VISUAL EFFECTS

AVATAR Joe Letteri, Stephen Rosenbaum, Richard Baneham, Andrew R. Jones

DISTRICT 9 Dan Kaufman, Peter Muyzers, Robert Habros, Matt Aitken

HARRY POTTER AND THE HALF-BLOOD PRINCE John Richardson, Tim Burke, Tim Alexander, Nicolas Aithadi

THE HURT LOCKER Richard Stutsman

STAR TREK Roger Guyett, Russell Earl, Paul Kavanagh, Burt Dalton

MAKE UP & HAIR

COCO BEFORE CHANEL Thi Thanh Tu Nguyen, Jane Milon --- to be released February 16, 2010

AN EDUCATION Lizzie Yianni Georgiou --- to be released as a Region 2 DVD March 8, 2010

THE IMAGINARIUM OF DOCTOR PARNASSUS Sarah Monzani --- to be released as a Region 2 DVD March 29, 2010

NINE Peter ‘Swords’ King

THE YOUNG VICTORIA Jenny Shircore --- available as a Region 2 DVD only

SHORT ANIMATION

THE GRUFFALO Michael Rose, Martin Pope, Jakob Schuh, Max Lang --- to be released as a Region 2 DVD March 22, 2010

THE HAPPY DUCKLING Gili Dolev

MOTHER OF MANY Sally Arthur, Emma Lazenby

SHORT FILM

14 Asitha Ameresekere

I DO AIR James Bolton, Martina Amati

JADE Samm Haillay, Daniel Elliott

MIXTAPE Luti Fagbenle, Luke Snellin

OFF SEASON Jacob Jaffke, Jonathan van Tulleken

THE ORANGE RISING STAR AWARD (voted for by the public)

JESSE EISENBERG

NICHOLAS HOULT

CAREY MULLIGAN

TAHAR RAHIM

KRISTEN STEWART

--30--

K.I.S.S. (Keep It Simple, Stupid)

Today marks the release of Legion, which one hopes bodes well for star Dennis Quaid, since he hasn't has the greatest luck in snagging a plum role in recent sci-fi and horror films.

2009 had Quaid starring in Horsemen, G.I. Joe: The Rise of Cobra, and Pandorum, and while I haven't seen Horsemen, I can vouch for G.I. Joe being 100 % rabbit rubbish, and proof-positive Stephen Sommers has creatively devolved since his Mummy films. Van Helsing is a brilliant pulp culture fusion compared to the shrill, garish idiocy that is G.I. Joe.

Pandorum was marketed using a slick graphics campaign built around the concept of great big tubes of fluids coming outside of an arm, a head’s orifices, and a woman with a mutating head. There was also a design that resembled H.R. Giger’s Alien creature, although those familiar with the film will recognize it’s a carefully lit image of a man emerging from the tube where he’s spent a long period in suspended animation.

One aspect director and co-writer Christian Alvart (Antibodies / Antikörper) wanted to demystify was in fact the graceful reawakening of crewmen, as seen in Alien (1979). Alvart’s concept was more invasive, and may be more close to the kind of needs a body requires if it’s to be preserved like a pickle in a jar with juices to keep it alive.

When the first crewman, Bower, emerges from his tube, his skin is covered in an exo-skin that shriveled and white, and the first order of business it to rip out several large tubes that have been buried in his arm. Much like the ripping out of electrodes at the end of Resident Evil (2002), it’s a nasty moment that makes it clear Pandorum isn’t going to be an elegant foray into phallic mayhem the way Ridley Scott directed Alien.

Of the aforementioned posters, the arm is the closest inference of the film’s tone, whereas the multitude of tubes seemingly slithering though the head makes no sense.

It’s striking, but what does it mean?

The madwoman is a fusion of two things: the madness of pandorum – uber-stress from long space travel – that includes delusions, paranoia, and thoughts of murder; and the form of biologist Nadia (played German hottie Antje Traue).

The Giger Alien riff is more clever, but again, the art doesn’t address the film’s more visceral villains – reptillian cannibals – and it’s symptomatic of the film’s producers (which, coincidentally, include the makers of the Resident Evil franchise) perhaps not being sure as to how Pandorum’s fairly dense story could be distilled into one significant image.

The cracked egg that appeared in the original Alien campaign inferred the physical and metaphorical birth of blank-faced, primal hunger, an image that was used in Scott’s own trailer, capped with the immortal line “In space no one can hear you scream.” There was mystery, tension, and intrigue; with Pandorum, the graphic artists perhaps didn’t quite understand Alvart’s film – and that’s apparently what audiences shared during the film’s theatrical release.

As my DVD review attempts to examine, there is much to admire and be frustrated with, because some unfortunate decisions – mostly assuming style should supersede coherence – will probably ensure Pandorum will never live up to its promise, since the picture is permanently locked.

Michl Britsch’s score, however, certainly does hit Alvart's aspirations. It’s a weird melange of orchestral, industrial and rock that shape-shifts every few seconds into something beautifully nasty, and is worth snapping up from MovieScore Media. (My review will appear in a forthcoming issue of Rue Morgue magazine.)

Dennis Quaid, interestingly, was Alvart’s top choice as star, and that stems from the director’s huge affection for Quaid’s 1987 film Innerspace, which has grown into a favourite cult film that fused elements of slapstick comedy, science-fiction, and a nostalgia for classic sci-fi films.

It’s perhaps unsurprising that Jerry Goldsmith’s music score is equally beloved by fans, and tangentially part of Quaid’s recent film wave, La-La Land Records has released the complete score on a beautifully mastered CD. The original Geffen LP contained just a few cues (plus dated pop songs), whereas the new limited release album features 78 mins. of goodness.

Goldsmith scored both Outland and Alien, two films that exploited the fear of being isolated in spaceship, or in a restrictive environment, and like Outland, Dark Castle’s Whiteout takes the Outland template and repositions it to the chilly locale of Antarctica.

Whiteout is an atypical Dark Castle production, and much like Pandorum, it was sold using a rather deceptive ad campaign. Pandorum’s trailer infers the cannibalistic creatures are what the surviving humans will quickly become (not true), whereas the Whiteout trailer makes it seem as though there's a Presence, or a Force, or a Being that the sheriff discovers in a submerged Soviet plane lost during the Cold War.

Not so.

Based on the graphic novel by Steve Lieber and Greg Rucka, Whiteout is a fairly straightforward whodunnit that happens to be set at the bottom of the world. Why Dark Castle, makers of gory horror shockers (The Hills Run Red) chose a whodunnit is, uhm, a mystery, since the film is essentially ‘an xtreme whodunnit’ with lots of cold air.

Is it a dud?

Nope, but the lack of distinctive extras – paltry on the DVD, and some exclusive interactive material on the Blu-ray – leaves one to believe the film was hurried to home video.

The biggest shock: Kate Beckinsale is quite good, and she grounds the movie with an earnest performance.

Not surprising: Dominic Sena’s wonky use of flashbacks that assume you may have less short-term memory capabilities than a goldfish.

To goldfish, that’s just rude.

- MRH